Above is the latest transmission in from all wide haedspace arena.
And below is the tremendous DLTRA, streaming there and living here.
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One late night in a performance space last fall, RxRy and Nathaniel mentally and physically synced from opposite sides of the room. That connection has grown in recent months; through shadow-chats and file shares they’ve opened up a limitless thread of possibility, and what breaths here is likely not the last of ideas to materialize. The Birth of Medusa, which works in both the mythological and biological senses of the term, is an audio/visual poem, a written piece scored and rendered into movement. All footage was shot using an iPhone in Chicago’s Shedd Aquarium, and all sound was designed by Rx specifically for the text. And with that said, the rest is best absorbed beside.
Our 2nd annual event, and first of its dimensional kind, went off with flying colors last Wednesday night. We’re very proud to have envisioned something different during CMJ, and we’re very thankful for all who chose to enter this evening with us. Much love to BriAnna and Nathaniel, all performers, and The End.
A closer look at its DNA can be had in this discussion with Nathaniel Whitcomb, here. And traces of what it left behind, are below:
It’s been 12 months since our first glasslandic party, and in that time, S&S senses have been pulled more and more towards capabilities outside of standard band to band showcases. Building on ideas explored last July, we’ve mapped out a true night of sound and vision. Performances from favorites Pressed And, Noah Wall, Megafortress, Gem Club, and RxRy will be set to motion by the fused imagination of videographers BriAnna Oslon and Nathaniel Whitcomb. It’s happening October 19th, at a multi-use creative facility in Brooklyn (13 Greenpoint Ave) known as The End.
Hope to see you there—details at FB.