Stadiums & Shrines
S&S-NewtownRadio-E17

 

Since the start of the year, episodes of Up In The Clouds—our freeform show on Brooklyn-based internet station Newtown Radio—have been steadily, while somewhat stealthily, populating this archive.

Last night, Mister Lies and Foxes in Fiction (also shoutout Brian Vu and Cuddle Formation) came by the studio for what can be considered an Orchid Tapes takeover. Nick provided a guest mix compiling some of the music that inspired his album Shadow (out October 28th). Warren, who arrived from the airport just in time to plug in for the second hour, performed a set of “deeper, weirder cuts” as well as a new song finished earlier that day.

Setlist:
[Hour 1, Mister Lies Mix]
Knower – Trust The Light
Scott Walker – It’s Raining Today
Steve Hauschildt – Uncanny Valley
The Blue Nile – Seven AM
Judee Sill – The Kiss (Live)
Prefab Sprout – Nightingales
Spencer Cole – Oh My Dear, Alright, You’re Right
Arthur Russell – You And Me Both
Thomas – So Many Dreams About You
The Roches – Hammond Song
Oneohtrix Point Never – Russian Mind
K Leimer – Two Voices
David Sylvian – Silver Moon Over Sleeping Steeples
Seal – Violet
[Hour 2]
58:00-1:19:00 – Interlude ~ Yoshimura/Eno/HEDIA (as Warren sets up)
Foxes in Fiction Live

Thanks all. Next show is Tuesday, October 28th.

Silver

 

Ejecta’s “Silver” is beyond recognition in this amorphous hymn, yet flecks of it still rise and shimmer and whisper around. Droning out a perfectly good pop song is an underrated art. Patrick McDermott, who creates as North Americans and co-runs Driftless Recordings, has an uncanny handle on it—he’s taken CFCF to similar heights.

While drifting in the greyscale here, the label will soon release an ambient compilation, as well as the fascinating debut LP from Megafortress.

Somber and hopeful, “Live in Grace” finds Bill Gillim airing out vivid lines of forgiveness in his barest, most straightforward vocal performance to date. Not to be taken lightly, Believer is out November 4th.

Flow

 

Safe music, less in the sense of ‘without risk’, more so: music that in itself evokes a certain safety. Japanese artist Atsuhito Omori designs this kind of music exceptionally well. Here, on the title track to his tape, from three slowly repeated chords Omori builds a sanctuary. Elsewhere over Flow, he utilizes piano to similar effect. Restrained yet, as suggested, capable of lingering well past its runtime.

The cassette sees release (each with a photo print taken by Omori, thank-you note, logo sticker, hand-stamped tea bag and guava candy) through Orchid Tapes, who have a pre-sale up today.

[image derived from a Klaus Leidorf photograph]

If I'm

 

Fluid, decisive, a bit sinister, “If I’m” signals the proper return of Sea Oleena. It opens Shallow, her forthcoming LP, and reveals a new breath in Charlotte’s body of work, her most powerful yet. Like the bloodied finger chosen as the album’s cover, “If I’m” is elegantly off, more than roses and window views, but thorns and negative space. The song abandons its groove halfway through, opting for an atmosphere which carries well into what follows.

Out September 30th, Shallow can be pre-ordered now through Lefse Records. And Charlotte recently performed a beautiful piece while hiking with Portals.