Stadiums & Shrines
Alberta

 

Four worlds expand over separate easels and outwards, selectively intertwined by the unknown—this constant, revolving sense of consideration.

A manor constructed over a reservoir, its residents accept life at an aqueous tilt. Two tribes peel Mount Victoria from the water’s edge, its range perpetually snow-capped, sapphire blues overlap. Badlands collapse into boreal forest and back again; horses gallop above the timberline; a man repels through time, reading the eons, meter by meter.

Eyes between canvas and cliff, she watches him, wondering what other accents of hers might appear and which may fade. Like the seasons, but more sporadic, she thought, like emotions.

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Cemeteries is Kyle J. Reigle, whose debut album was one of our favorites of 2012. Foxes in Fiction is Warren Hildebrand, whose debut album was one of our favorites of 2010. Kyle has a release due out later this month under the side project Camp Counselors on his own Snowbeast Records. Warren has a release in the works as well as a showcase in Brooklyn this Saturday for his own Orchid Tapes. Busy, beautiful people.

Dreams of India

 

Two skies meet at the indigo hour. The rails of the infinite staircase edged—one sky pale blue, the other crimson—swirling upwards to the margin. Walls vanish, and bathers flock to the yawning mouth of Ganges River.

Knowing the eclipse is near, Scorpio dashes across the marble terrace. Unnoticed, as mosaic pillars flash, he swipes the sacred reliquary.

Each ascending step brings him further from the city, closer to the gods—he hopes. Glancing back, down, one last time; a hundred spires line the horizon. Scorpio laughs in a fit of victory, twisting ahead again to face his new universe, and, to his surprise, its wrath. With a single brush of the sun, his vapor paints the air in a howl.

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Megafortress is Bill Gillim and Michael Barron. Noah Wall joins them here in a collaboration we will be hearing more from. Both projects also have releases of their own in the works.

Cuba

 

Chandeliers shatter into sequins, all coiled up in a whirlwind—a mambo of sun-kissed confetti.

Swans grace the rooftops in code. Minds switched on and hearts full, lovebirds glide over an ultraviolet avenue, their wings skimming a fountain of chrome.

Echoing out from the streets, in washes and tumble-drums, a promise unlocked and set to roll about the archways of Havana: “One day I’ll have a million words to explain, some day I will love you in every way…”
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Wildarms is Brooklyn-based poptimist Duncan Cooper. His debut EP (plus a fresh batch of remixes) is out now on Cascine.

Dreams of Bali with Advanced Falconry

 

Proportion does not exist here; where shapes are known to change, and avatar-reincarnates blaze with radiance, delicately fetching whole mountainsides. Where the inanimate are granted life if the wind, as it arcs across, strikes just right.

A draft curved over the many shoulders and heads cluttering the quaint shop. Greeting this, the keeper arranged her orchestra from memory. Lining the circle: the outermost rows of children, further in, the eldest men, and at the center, an empty space. Without instruments, the youngest ones simply joined the crickets, humming. Others brushed against pipes and poured cups of sand from side to side.

Lanterns flickered…candles sputtered. And with one last blink came two eyes, exceptionally round, expressive, framed by the darkness alone.

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Mutual Benefit is beloved stargazer Jordan Lee. Love’s Crushing Diamond is the title of his LP due out later this year. And SXSW is where he’ll be next month.