Stadiums & Shrines
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Episode 48 goes up with a familiar guest, Dev, who this time dials into some spiritual jazz and other celestial stations past and present.

The second hour covers an August-off-the-air, featuring Maine-based songwriter Lisa/Liza, Eola (the a capella gospel project from Edwin of Tonstartssbandht), Givan Lötz (the Johannesburg-based multimedia artist we last glided with in 2013), one of 80 tracks on Casino Versus Japan‘s upcoming tape Frozen Geometry, and more.

[Hour One] Dev Sherlock
Alice Coltrane – Om Supreme
Datach’i – In the Field With Brian
Les Halles – Skies That Soar
Maal and Morris – Airplane Mode
Benedek – Angelus Vista
Hanssen – A Great Distance
Avalanches – Zap!
Konx-om-Pax – Video Club
Hailu Mergia – Sewnetuwa
Oh, Yoko – Song With Coyotes
Soft Jock – placid af
Sheila Chandra – Quiet 8
Lata Mangeshkar – Recites the Baghwad Geeta
Beyond The Wizard’s Sleeve – Tomorrow, Forever
(Lonnie Liston Smith interview clip)
Lonnie Liston Smith & The Cosmic Echoes – Quiet Dawn
Brother Ah – Spirits in the Night
Loop Guru – 3am Outside Here, Pt 3
Yusef Lateef – The Golden Flute
Unknown – Sons De La Nature
J.O.B. Orquestra – Govinda
Deuter – Solitary Bird
Pharoah Sanders – Japan

[Hour Two] Freeform
(Eddie Jones, The Royal Typewriter)
johnny_ripper – typing
Un Blonde – Celebration
Eola – How Far Am I From Canaan?
Rod Hamilton and Tiffany Seal – Echo Hill
Sparkling Wide Pressure – Renderer Wanderer
Airbird – Ecology
Alex Zhang Hungtai – Paris Means Nothing To Me Without You
Givan Lötz – Watchtower
Andrew Cosentino – Jeans Go With Everything
Lisa/Liza – Century Woods
Casino Versus Japan – Blooming Sails
Eluvium – Beyond The Moon For Someone In Reverse
Biosphere – Sweet Dreams Form A Shade
Katie Dey – It’s Simpler To Make Home on the Ground

S&S Radio broadcasts every other Tuesday night on Newtown Radio.

New Zealand

 

Lights coruscate as the fog emanates, informing the present. The centermost vent—time’s origin—a geyser as thick as the bellows at the froth of the falls, directs all. Past and future converse in the steam, bending in rivers, tipping clocks, sweeping about the trees.

Lives are a landscape across which banks of fog roll, revealing what is to come, concealing what’s elapsed.

Directly into the mist, she peers, throwing a lamp’s lit sneer. Two sets of eyes look back, one skips betwixt with a child’s giggle and fresh grass scents. The other glares back coarsely, framed by fine and furrowed lines of skin.

She holds a glacial gaze for perhaps another minute, or eight, or an epoch, fixed in the forecasting terrain events as they replay, a cascade.

____

Kohwi is Berlin-based artist Cory Levinson. Currently he runs the label Ways Inner Pass, and is readying a release next Spring with friend and collaborator Miriam Simun.

Dreams is an ongoing project where we ask our favorite artists to create a piece of music inspired by a handmade collage.

1

 

“Peering into mineral structures reveals a still, drawn out dynamism, a symphony of silent and expanding sound; energy and movement.”

Ran to the hardware store this weekend, happened upon a gallery. Modular synth emitted from an open garage door, beyond it: 13 paintings by Brooklyn artist Lauren Klein, all vibrating within a sound sculpture by Luke Crawford.

The ‘synesthetic experience’ is on view now at Immersive Gallery, open weekends and evenings for the month of August. A few pieces, below:

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S&S-NewtownRadio-E47

 

Ahead of his new album out tomorrow, here’s a “Needlemix” and note from M. Sage:

“The process of recording my latest cassette, Needleworks, was intentionally primitive. I dramatically restricted by gear; my only sound source was running an old mid-century turntable I have through a few guitar effect pedals (reverb, analog delay), and then two loop pedals to create phrases, and so, compositions. I wanted to make something that sounds like the “computer music” that I make without using a computer at all. I ended up recording 50+ tracks/takes, and so, during this process, I ended up listening to TONS of records through this rig looking for sounds, textures, etc…I thought it would be fun to make a mix, a more traditional DJ set, on this rig, and so, I reassembled it last night and made this mix for you using the same rig I used to make my tape. There are no computer effects or “sampling” here, everything is live/improvised guitar pedals+turntable. I hope you enjoy it, and thank you for listening.”

​T​om ​W​aits – ​Cinny’s Waltz​
​M​. ​S​age – ​S​troller ​C​ircuit
​S​ons of ​F​unk – ​P​​ushin’ ​I​nside ​Y​ou​ (instrumental)​
​Michael J.​ – ​R​ock w/ ​U​
​M​. ​S​age – ​R​uby ​R​uby
​D​ave ​B​rubeck – ​R​ising ​S​un
食品まつり a.k.a ​F​oodman – ​J​azz (Needlemix edit)
​V​ince ​G​uaraldi, ​B​​​ola ​S​ete, & ​F​riends – ​W​ine and ​R​oses
​M. Sage – Render (edit)
Sam & Dave – It Was So Nice While It Lasted​
Ahmad Jamal – Poinciana
Brooks Benton – It’s Been a Long Long Time
M. Sage – Bacchus & Friends

S&S Radio broadcasts every other Tuesday night on Newtown Radio.

2

 

Welcome to Lake Sage…

On a summer night, under a blood moon in 2014, Chaz Prymek (who records as Lake Mary) and Matthew Sage riffed in a Fort Collins basement and emerged with a set of devotional mountain folk instrumentals called Wolfwalkers in Daylight. That night their guitars aligned in language; a conversation between dark and light; bliss and sadness; a wordless dialogue that feels especially weighted upon playback in 2016. At the request of the artists, these songs are shared today, and dedicated to anyone struggling to process intense emotions.

Here are two poems by Octavio Paz selected and “(mis)translated” by Sage, followed by a few 35mm photographs of the Colorado front range taken at dawn:

Apparition

If a singular human is dust
Those who cross the plain
Are unified

Dawn

Fast cold hands
Retreat one by one
The darkness of bandages
Eyes awakening
Still

I am a life
At the center
of a wound still fresh

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