Stadiums & Shrines
Dreams of Quebec

 

Peripheral maroons, blues, and ecrus stretch beyond the sled’s icy spray. Accelerating downward, cascading slope, past cheers, speed’s climbing silence.

The children glide through unknown clearance, piercing the cavern, the illustrious halls of Perce Rock illuminated by temporal projections. Witness to their time-lagged descent broadcast onto the arched rock face interior, seeing their locale moments before, as they skim through time, touring new and absolute fantasias.

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Lead by pianist and composer David Moore, Bing & Ruth often swells into an ensemble as they did here in 2014 (two upright bassists, two clarinetists, a cellist and a tape delay tech). We’re thrilled to revisit the piece in advance of Dreams, a double LP compilation and 20-page gatefold book out this June on Cascine. It can be pre-ordered via Bandcamp and the label’s site.

On July 1st, we’ll celebrate the release at Brooklyn’s National Sawdust, featuring performances by Bing & Ruth and Julie Byrne with fellow Dreamers Yumi Zouma DJing soft sounds throughout, all organized by AdHoc Presents. Tickets go on sale this Friday, RVSP here.

Dreams of Quebec
Dreams with Yumi Zouma

 

Under the falling Alps, a drapery system

A1 – char 1 (drape/curtains) – shaken, caving from the weight of dusty constellations
B2 – char 2 (wax) – liquefying, a starry drool, down pillars, secrets
A3 – char 1 (drape/curtains) – being a ghost of the Alps, thrown back by the pull on a cord
B4 – char 2 (wax) – cooling into crystallized crags, hardened froth and rivers of ash
B5 – char 2 (wax) – casting forms for bells, or molds for vases, or visages
C6 – char 3 (wind) – pulling pressure from one quadrant to the next, across a valley
B7 – char 2 (wax) – clinging under a nail, after scraping a pillar in the dark
C8 – char 3 (wind) – gently deteriorating, glancing other passings in the halls of the heart
C9 – char 3 (wind) – rustling a cloth back from the dead, and making a vein dance
A10 – char 1 (drape/curtains) – being peeked through, parted slightly and looked past
C11 – char 3 (wind) – slamming a door as it exits, after entering through a window
A12 – char 1 (drape/curtains) – being drawn open
A13 – char 1 (drape/curtains) – being drawn closed

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Yumi Zouma is New Zealand’s Christie Simpson, Sam Perry, Charlie Ryder, and Josh Burgess. It is a true honor to collaborate with the Yumis, who usher us down ‘Grands Boulevards’ to the following news. Dreams is leaping to the physical world June 15th, 2018, thanks to our friends at Cascine. The double LP compilation and 20-page gatefold book are up for pre-order at Bandcamp and through the label’s site. Immense gratitude to every artist who’s dreamed with us since the start of this project, which will continue.

Art by Nathaniel Whitcomb
Words by Dave Sutton & Matthew Sage

E59

 

Sila Ptahi makes abstract beat tapes which, save for two released with Nekubi Tapes and Haju Tapes, are shared anonymously on SoundCloud. For Episode 59, Ptahi assembled an hour-long block of dust-covered soul and hip-hop, heavily optimized for headnods. Selections traverse syrupy sampledelia, jazzy instrumentals, and time-warped balladry, with careful attention paid to texture and tempo.

The episode’s second block catches up with 2018. A pastiche of new modes, the set kicks off with Jon Bap‘s frenetic new jack swing, Akiko Kiyama‘s scattered percussion, and Meitei / 冥丁‘s mood tribute to 19th-century painter Kawanabe Kyosai. Onto Anenon‘s latest fusion (of soprano sax, piano, synth and field recordings) on Friends of Friends, spacious dream-folk from Montreal songwriter Alexia Avina (courtesy of Cuddle Formation’s label Never Content), followed by woodwind drone via Eve Essex‘s tape out today on Soap Library. Next is a Séance Centre-reissued 1987 cut by Mexican guitarist/synthesist Eblen Macari, a Balearic night drive from Sydney’s Angophor, buzzing free jazz from Japan (that’s woodblue on MPC, Yudai Suzuki aka Multi purpose studio on trumpet, and Hiroko Arima on stone), and, finally, a tender bedroom-pop outro from New York-based artist Grub (hat tip, Tyler).

Hour One: Mix by Sila Ptahi
Hour Two: Freeform
Jon Bap – Voice Memo from 2013 / _Stuck_
Aalko – Body & Soul
Meitei / 冥丁 – Kawanabe Kyosai / 河鍋暁斎
Anenon – Open
Alexia Avina – Bird
Eve Essex – Here Appear
Eblen Macari – Supernova en Macuspana
Angophora – Uncarved
Hiroko Arima, Multi purpose studio, Woodblue – re-flectionB
Grub – Baby in the Sea

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S&S-NewtownRadio-E56

 

At the start of 2017, in a particularly bleak January, Denver-based artist Madeline Johnston — who records drone-pop music as Midwife and Sister Grotto — released a video for the song “Name.” Its first minute is silent. A guitar is tied to the back of a pickup truck with an amplifier switched on in its bed. A phrasing of chords begin; the truck pulls the guitar across pavement and down dirt roads, disrupting the debris of a solemn Midwest stretch. Johnston’s voice obscures in the mix, nearly clipping the audio as it rises into shouted refrains including the defiant “I’m not at home.”

Simple and devastating; the blunt image communicates anger, grief, and resilience. I keep returning to it. Johnston’s album Like Author, Like Daughter is said to represent her final days as a resident of Denver DIY venue Rhinoceropolis, which closed during the politically motivated assaults on creative spaces ushered in with the country’s new administration. In this context, “Name” aches as an anthem for cultural displacement, an ode to the expanding void.

Like Author, Like Daughter is out on Whited Sepulchre. Johnston made S&S a mix of her own material; entirely unreleased save for one track (the last), featuring collaborations with Tucker Theodore of Inanambulance Recordings and Allen Karpinski of The Six Parts Seven. Like her album, these thirty minutes are heavy and beautiful. Episode 58 is lucky to host them in the top half.

The show’s bottom half is lighter, flipping to a few favorites as of late: Olympia dream-pop group CCFX (DFA), Vancouver producer Yu Su’s latest ambient jazz cut via New York label Arcane, a highlight from Lee Noble’s new tape of synthesizer suites (Pale Blue), and one of ten transcendent piano studies from the hands of Billy Cigarette. Additional visual references, below.

Part One: Madeline Johnston’s set
303-295-3952
Midwife- Unborne
Midwife – Already Gone
Tucker Theodore – Placeholder
Midwife – Runner
Allen Karpinski & Tucker Theodore – My Reasons
Sister Grotto & Tucker Theodore – I Don’t Want To Love

Part Two: Freeform
CCFX – The One to Wait
An Luu – Pourquoi Tu Me Fous Plus Des Coups
Dip In The Pool – Transit
Yu Su – I’ll Say When I Can
Lee Noble – Elektra
I Am Just A Pupil – Algorithm
Marcus Fischer – 170211 – Dual Deck Piano Loop RRR
Billy Cigarette – Ecstasy

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