#002

The winds of last night return, now casting their dance through an equally open space—its surface harsher; impact amplified. The fate of the rocks, however, remains the same as the sands: crushed.

Unknown | #002

Onward into this Unknown.

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#001

The patterns aren’t as easy to trace at night; they’re heard, and at times felt, more so than seen. Distant static plays tricks on the psyche, tan turns to chrome, and the cruel mirages of paradise drift into cold echoes of infinite dune:

Unknown | #001

“#001″ was slipped in the mail today and signed “Best, Unknown”. The artist may or may not be someone we’ve heard from before, but whatever; this is a welcome numbers game.

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Safety Net


It’s unclear exactly which dimension is allowing the other to escalate in this prism-ed ‘gray area’, but the interaction is unquestionably enchanted. Urban fantasia looks good on a late night (rapid eye) movement like “Safety Net”. The video’s director, AF-regular Left Arm Single, adds:

“I am fascinated by how two sequences of images put together can dance, bring together and pull apart your thoughts, kneading. The rhythms in the song impress in me a feeling of being somehow submerged, in a muffled, elusive world. There is no sense of direction and all you can do is roll with it.

Rolling down a hill, dirt in your mouth and hair and grass stains on your clothes. You come to as you look up at the sky. It is only afterwards that you discover the joy of remembering. Safety Net tells me a story of turning inwards, of falling off a cliff only to find oneself weightless.”

Mass, a collaborative EP between Chicago friends Mister Lies and Different Sleep, is out now via Absent Fever.

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Portraits | Kuhrye-oo

The music of Kuhrye-oo is very much its own microcosm, a synthetic mist—each suspended droplet filled with a metallic beat, ringing vibration, or processed vocal—it might not immediately evoke lush plant-life, but one rainy Sunday afternoon at the botanical gardens, it all kind of made sense:

Kuhrye-oo | “Give In (For the Fame)”

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Respire

At some point, the ocean’s breath and his own had to arrive at an understanding. Syncing up was a necessity of survival for one, and perhaps just a simple yet merciful shift of pace for the other. The air knew this all along, and patiently waited, as if paused, while a crest rose and a rhythm answered. In, and out.

Respire is the latest work from Steve Swartz aka Swartz et, a Detroit-based musician and composer who in 2010 faithfully rendered the currents of Nighttide through radiant drone, and last year paid sensory tribute to his hometown in our own Slow Motion. Here, over five spacious arrangements, Steve conducts a sonic research of sorts, as he put it, “exploring the power and intimacy found in deep connections between people.” The project’s focal point is breathing; each track was built from the recordings of Steve and a few friends sitting silently in a room, “just being”. His guitar and piano seemed to follow suit, reaching a tranquil synthesis on “Yours Mine Ours”, before gradually, and willfully, becoming engulfed by the sea. It’s a distinctly meditative flow, and S&S is feeling quite centered in hosting it today:

The record is out May 14th via Cognito Percepti.

[the image above is derived from a Delaney Allen photograph]

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