Stadiums & Shrines

I read the other day that parts of New Zealand’s Pink and White Terraces were just re-discovered. The geothermic formations (whose native names translate to “fountain of the clouded sky” and “the tattooed rock”) had once been considered the 8th wonder of the world, and attracted tourists from all over due to their surreal beauty and pure white silica hot springs. That is until 1886, when a devastating volcano erupted, burying them in a crater of sediment, consequently shaping a lake that would eventually swallow every trace of their existence.

That idea somehow inspires this mix: an arrangement* of tracks (old and new) that simply feel like this phenomenon, from enchanted mist to tragic ash to aquatic darkness.

Tracklist and download is over at the extraordinary Rebel Magazine.

Special note: the Louis Armstrong cover (by My Bloody Valentine) is a tribute to the late John Barry, and a track from Victorialand is in there for… Victoria, of course.

If one were to record the many hours of sound filling Brooklyn’s Cameo Gallery this Friday, and then play it back in some lucky, randomized fast forward-play-fast forward-play-and so on pattern, for about 30 minutes, it might turn out something like this sampler. Or it very well could produce in an entirely different and equally satisfying set of excerpts, like V1, which is now over at Neon Musical Insight. We encourage both routes, and hope they lead you to N 6th Street in four days.

V2

Find all specifics at the FB event page.

Over the past week or so we’ve seen pieces of Collaborations enter this great community to a truly inspiring response. Firstly, thank you to everyone responsible for such love, and to all the artists who’ve so generously made this project possible. As promised, today the entire digital release runs free.  So without further ado, Dead as Digital, The Road Goes Ever On, and Stadiums and Shrines present in unified post, this exclusive mixtape, or as Mike eloquently put it, “a beautiful ode to the digital age and the power of collaboration.”

Click front cover below to download, or here. Click back cover above for tracklist or to order a tape (while they last).

One last thanks to Nathaniel, Cameron, and of course to the mind behind it all, Mike Hendry.