Stadiums & Shrines
observer

 

To date, the stream from Montreal’s johnny_ripper has revealed an artist with a keen sense for the sublime and an overactive ear for obscure source material. These glimpses into a late night nirvana of sorts have for the most part been singular, made by (and for) a loner. Which makes the multi-medium “Observer (Natalie’s Song)” an interesting development.

Last April, Jean attended a friend’s show that opened with readings. Natalie Reid (pictured below, credit: Jeremy Clarke) recited her words from memory, leaving Jean, in his words, “devastated.” With notions of self-image and perception, the piece existentially resonated, like a direct counter to the “isolated headspace” Jean functions in. It stayed with him, and after some time, he reached out “as a stranger” to collaborate. From there, we now hear this: that night’s lines underscored by Jean’s beats, all formed from field recordings (keys, glass cracks, door knocks, light switches, bicycle bells and beyond) and a micro-sampling of Clara Rockmore’s “Song of Grusia”.

The theme continues across johnny_ripper’s upcoming album, Selfless, his first since 2014’s epilogue.

reading
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Water and Concrete 02

 

Tone and texture are deeply studied here over three ambient pieces by composer Daniel Weismayr and producer Alex Ives (aka SPECIMENS). Each interprets a different photograph from Lucie Rox‘s Greyhounds series (shot around Chicago and South Baltimore). Once submerged in the set, these static images almost begin to ripple and vibrate along.

Water and Concrete is available on cassette with fold out A4 prints through Tenderly Surrender.

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S&S-NewtownRadio-E38

 

Noah Klein constructs a kind of pop “between escapist dreaming and reason”, as No Fear of Pop so thoughtfully posited two years ago—not just a safe haven but a “nucleus for the emergence of true consciousness.”

In-person, like his music suggests, Noah radiates an inviting aura. It’s been proven waterproof, most memorably under a rainbow parachute on the roof of FMLY Fest 2013. And again last Tuesday as he stood in the rain outside Newtown’s studio, shielded only by the guitar case on his back. Any worries heading into Episode 38 were left right there at the door. Bleeding from the walls of the neighboring practice space, a shoegaze-y band played with impressive stamina and volume. Noah confronted them with crickets, neutralizing the noise over a short set of new Cuddle Formation material (followed seamlessly by a playlist to finish the first hour). Upon playback, the unaffected recording confirms his (noise-proof) poise throughout.

[Live performance by Cuddle Formation, DJ set begins around 14:00]
Anonymous – Wishes of Welcome
Amagugu Akwazulu – Shaka Mamba
Yoshimi & Yuka – ha wa ii na
Lucky Dragons – Mbira Adventure
Anonymous
Imari – ♡
Sister Grotto – Pieta (Reighnbeau edit)
Sea Oleena – Adore U (Miley Cyrus cover)
Ember Island – Where Are ü Now (Justin Bieber cover)
Nawang Khechog – Becoming More Peaceful
Kotamo – Marshmallow Clouds
~ rain ~ – Game Over (Chindamo remix)

[00:49:00 – end, Hour 2: Freeform S&S]
Françoise Hardy – Voila
She-Devils – COME
Stereolab – Chemical Chords
Loto Retina – Agilité
Cindy Lee – Power and Possession
Ian William Craig – Habit Worn and Wandering
catt p – Eleven
Quicksails – Find Flux
Colin Stetson & Sarah Neufeld – The Sun Roars Into View
Caroline Polachek – The Boy Who I’ll See Again
Specimens + Daniel Weismayr + Lucie Rox – Water and Concrete
Jake Xerxes Fussell – Star Girl

Thanks, Noah (and Anthony). S&S Radio is every other Tuesday night on Newtown Radio.

COME

 

Genuine intrigue surrounded She-Devils‘ set last May at FORM Arcosanti. That energy digitizes today, with the Montreal duo’s first bit of recorded material now out (plus a music video via Gorilla vs. Bear). “COME” is unquestionably mesmeric and keenly influenced (50s/60s surf/rock & roll, French pop, exotica, etc)—fresh, disorienting, immediate… an all-caps whisper in the ear.

Their debut EP arrives January 15th, 2016.